The school will have a movie every Friday weekend and the people will go to the cinema a lot. It's kind of like watching the movie atmosphere in the cinema, which is the main reason why most of us choose to go.
This movie is about a genius who is an introvert and a very handsome and very talented man. In the early years, there was a surprising number of mathematical discoveries - game theory, which has been found to be widely used in every field.
Because of his obsession with mathematical research, he was at the peak of his personal career, bringing his spirit to the brink of collapse. College he introverted, live in a dormitory, but he is in his own mind imagined a roommate, he is not only in their hallucinations and the roommate has been getting along very well, but the illusion has been accompany to his old, cannot erase the illusion.
Perhaps the average person would have gone mad if he had this disease, but genius is a genius, and he supports himself with a strong will. When he found the medicine may make him unable to ponder over a problem, he stopped to take medicine, but don't take medicine my mind will be a lot of illusion, illusion out of a lot of people have been around him, constantly asked him to continue to their study. And for a long time, he thought that the man he fancied was saved. So he lived in pain, and could not escape from the torment.
Though the pain had been torturing him, he had bravely walked into the crowd. He loved the college campus, he would wander the campus, he would be in the library, or he would give lectures to a group of students.
He didn't give up what he did, and insisted on his own research. He has been quietly beside another suffer for his wife, when she was the most painful didn't leave him, but to beat the disease together with her, can say no Alicia, there is no Nash's great. His speech at the end of the Nobel Prize was also touching, with no grandiloquence, but a simple, heartfelt, soothing, heartfelt, heartfelt speech.
What is a beautiful mind? The protagonist Nash still loves his own research on the edge of his own mental breakdown, while Alicia has been quietly helping him overcome his illness, and the beautiful mind speaks for itself.
美丽心灵翻译
学校每周五的周末影院会公映一场电影，去的人自然很多了，有点像是在电影院看电影的气氛，这也是我们大多数人选择去的主要原因。
这部电影是关于一个天才的故事，主人公纳什是个性格内向的人，也是很英俊又非常有天赋的人。早年就有惊人的数学发现——博奕论，此数学发现现今在各个领域都有广泛应用。
正是由于他对数学研究的执着，他却在个人事业的巅峰时期，让他的精神接近崩溃的边缘。大学时代的他性格内向，一个人住一间宿舍，但是他却在自己的脑海中幻想出一个室友出来，他不但在自己的幻觉中和这位室友一直相处很好，而且这个幻觉一直伴随到他老，都无法抹去这个幻觉。
或许一般人如果患了这种病，早就疯掉了，但是天才就是天才，他用坚强的`意志支撑着自己。当他发现吃药会让他无法思考问题的时候，他停下了吃药，但是不吃药自己的脑海中又会出现很多的幻觉，幻想出很多人一直在他的周围，不断要求他继续自己的研究。而且在很长的一段时间中，他认为他所幻想出来的人是存的。这样他一直生活在痛苦中，一直也无法摆脱这种痛苦的折磨。
虽然痛苦一直折磨他，但是他却勇敢走进人群中。他极喜欢大学的校园，他会漫步校园，他会默默在图书馆中，或者是给一群学生讲课。
他并没有放弃什么，坚持自己的研究。他的身旁还有一个一直默默为他承担痛苦的妻子，在她最痛苦的时候并没有离开他，而是和她一起战胜病魔，可以说没有艾丽西亚，就没有纳什的伟大。他在最后获得诺贝尔奖的时候的一段演讲也是感人至极，没有什么豪言壮语，有的只是发自内心的一段让人的心灵得到慰藉的朴实的话。
什么是美丽的心灵？主人公纳什在自己精神崩溃的边缘仍然挚爱自己的研究，而艾丽西亚一直默默地帮助他战胜病魔，美丽的心灵不言而喻。
美丽心灵观后感(The Impression Of A Beautiful Mind)
"A Beautiful Mind" John Nash - Professor biography of his life, or that the story of a true genius.It show us the great of Love, Trust, Friendship.
John Nash is a 100% genius.He get the Ph.D. at 27-year-old and become a mathematics professor at Princeton University.Nash is not many words and refuse sociality.He is very different.. His mind was far more than emotion.At the same time, he is loneliness ,fear of failure and want to get people's approval.So the fantasy figure——Charles appear.It showthe Nash subconsciously want to have friends, to be recognized.
When Nash's schizophrenia another attack, his wife Alicia is also resolutely stand by his side, help him and give him time .He ask help to his friend Martin Hansen because of the love and trust come from his wife Alicia. In the case of his wife and friends Martin Hansen's encouragement, he relies on his will to go on.It could have been an unbelievable story that Nash succeed,but it is ture. Although fantasy Charles, and William Macy in Nash's life has always existed, they are no longer an idea to Nash. on their own willpower, the love of wife and friends to help and care, Nash cure his schizophrenia in a certain extent.
Nash, Alicia and Hansen have a beautiful mind .They set up a bridge leading to a beautiful soul.
美丽心灵观后感(The Impression Of A Beautiful Mind)
Earnest thriller-cum-weepie starring Russell Crowe as a maths genius whose life is wracked by schizophrenia. Stamped all over with 'Hollywood prestige project' and showered with awards
Russell Crowe gets the chance to act his heart out in Ron Howard's A Beautiful Mind. Not only does he portray a maths genius (based on real life Nobel Prize-winner John Forbes Nash Jr)， he portrays a maths genius crippled by schizophrenia. And he ages 47 years! He turns in a chunky, twitchy performance which, though not on a par with his more subtle turn in The Insider, is admirable. He is complemented by a less flashy, underwritten turn from Jennifer Connelly.
Princeton, 1947. Awkward but arrogant John Nash arrives on a maths scholarship, determined to come up with an original idea. Not bothering with classes, he obsessively writes theorem (plotting the movements of pigeons, for example)。 His only friend is raffish roommate Charles (Bettany)， a rich source of wisecracks - “Officer, I saw the driver who hit me - his name was Johnny Walker” - and moral support. Eventually Nash comes up with a revolutionary paper that wins him a position at MIT. It's here that his eccentricities give way to madness. Although he marries beautiful student Alicia (Connelly)， the top-secret code-breaking work he is apparently doing for the government - represented by Ed Harris' mysterious agent - pushes him to breaking point. Full-blown paranoid schizophrenia erupts and Nash is hospitalised, his reality a mess of mania and imagination. Three decades of struggle ensue. Although the film leaves out the seedier elements of the real Nash's life (divorce, cottaging)， it fashions a loose biopic that is by turns funny, exciting, sad and downright corny. The script, by Akiva Goldsman, (who also wrote the inexcusable Batman & Robin)， is riddled with pithy, but occasionally clichéd, utterances that capture these shifting tones: there's Nash's description of himself: “I'm quite well balanced - I have a chip on both shoulders” - or the description his doctor, Rosen (Plummer)， later uses to describes his disease to his wife: “The nightmare of schizophrenia is not knowing what's true.”
Although it dallies with Cold War thriller elements, A Beautiful Mind is ultimately a formulaic tale of human perseverance, and merits comparisons with other, similar award-showered tales: notably Shine. As such, it's an above-average weepie, a Hollywood prestige film that pre-packages the sufferings of one highly intelligent man and the woman who loves him to manipulate the emotions. Although the film itself is not as smart as it imagines itself to be, it's certainly artful, with fine camera work by Roger Deakins (who shot the Coens' stylish The Man Who Wasn't There)， and solid, thanks to Howard's even-tempered direction.
A typical Oscars movie. Solid, middle-brow and worthy.
美丽心灵
Russell Crowe stars as John Forbes Nash Jr., who we meet as he arrives to Princeton University in 1947, a poor young man whose remarkable skills in mathematics won him a scholarship. He doesn't really fit in with the other students though, and he has no interest in actually going to classes. He just wants to find a truly original theory, to think of something that will matter. Something that will make him matter. He does calculate some brilliant stuff, which opens up opportunities for him, all the way to a code breaking gig at the Pentagon, but something is tearing him loose : schizophrenia. Combined with Cold War-era conspiracy theories paranoia, this might make him go totally insane. All he's got left is his caring wife Alicia (Jennifer Connelly), and even she is tempted to give up on him.
It's taken me a while to process my feelings on Ron Howard's latest film, as they're kind of confused. In short, I thought the first act was mediocre, then the film did something I perceived as a cheat, but finally it redeemed itself in its powerful last hour. So how am I supposed to review the whole film, as I found its first half to be generic and maudlin, but by the end I was moved to tears? Well, let's start at the beginning, or the "Good Will Hunting" part. These early scenes aren't that bad, they're just bland and harmless. Nash is somehow interesting already, with subtle hints of personality troubles, but he's surrounded by walking clichés, like the snobbish daddy's boy (Josh Lucas), the wisecracking buddies, the kind old teacher, or a newer obligatory staple (see also : "Notting Hill", "Undeclared"), the quirky British roommate (Paul Bettany). Plus, it's all so timid, a little joke here, a little touching moment there. Yawn.
Another thing that bothered me was the seemingly random, unnatural pacing. It's the first day of the semester, then wham!, it's six months down the line, boom!, Nash's made his discovery, watch out! It's now five years later and he's called in to break some Soviet code. It gets even more frustrating when Nash starts teaching and Alicia, who's his student, catches his eye. It literally goes from 'what's your name' to 'I find you attractive' to 'will you marry me?' to 'you're pregnant?!' Meanwhile, Nash, is recruited by a Secretary of Defence agent (Ed Harris) who wants him to peruse periodicals to look for secret Communist codes. Come again? That's not all, there's tense dropouts, mysterious men in black, chases, shoot-outs. It makes little sense, and it's hardly all that interesting. I was ready to pan the film.
Oh, but wait a second there, that's only the first hour or so of the film, before what I called the big cheat. Don't worry, I'm not gonna spoil it. Let's just say that the film reveals that it isn't really concerned with code cracking or Nash' love life; "A Beautiful Mind" is ultimately about one man's struggle to retain his sanity, to sort out his mind at once capable of genius and madness. Once the narrative settles on this, the film becomes more and more engrossing. It remains conventional in form as Ron Howard, hardly a daring filmmaker, can't help but go for melodrama and little bittersweet comic beats, or something as predictable and schmaltzy as the "pen scene". But the screenplay by Akiva Goldsman, adapting the Sylvia Nasar novel, presents us with a very interesting, complex character who hits bottom, degrading into the kind of fidgety old weirdo kids mock on the street. This makes his eventual getting back on his feet oh so touching, and I don't think there was a dry eye in the room during the final scene.
It takes many people to make a film, and it's usually unfair to single out an individual as being most responsible for its success, but in this particular case, I feel it's obvious that this is Russell Crowe's movie. Writer Goldsman did, after all, commit "Batman & Robin", and as mentioned, Howard has a tendency to lay things too thick, overdoing each moment as if he's trying to show off to the Academy (but oooooooh, that's not his intent, natch). Fortunately, he's at least made one brilliant decision in casting Russell Crowe, who brings depth, pathos and humanity to his character. We see him age nearly fifty years in the film, and I was never thinking 'make-up', Crowe just seemed older in the way he held himself, spoke and appeared altogether. Likewise, with his schizophrenic behaviour, Crowe is not one to chew scenery and go over the top. This is a performance full of nuances and rough corners. His relationship with Paul Bettany and Ed Harris' characters lingers hauntingly in our minds, and even though it's underwritten, his screwed up romance with Jennifer Connelly is affecting. She herself is pretty good (and gorgeous), despite a false-sounding shrieking breakdown scene.
Overall, I'd pretty much recommend "A Beautiful Mind". There are quite a bit of things to dislike in what can be summed up as a tearjerker posing as a psychological thriller, but ultimately it did surprise me by making me cry, and Crowe's performance alone is worth the admission price. If he hadn't won the Best Actor Oscar last year, I'd say he's sure to get it now, and the movie itself will probably get noticed here and there as a reaction. Check it out.
美丽心灵观后感(The Impression Of A Beautiful Mind)
"A Beautiful Mind" John Nash - Professor biography of his life, or that the story of a true genius.It show us the great of Love, Trust, Friendship.
John Nash is a 100% genius.He get the Ph.D. at 27-year-old and become a mathematics professor at Princeton University.Nash is not many words and refuse sociality.He is very different.. His mind was far more than emotion.At the same time, he is loneliness ,fear of failure and want to get people's approval.So the fantasy figure——Charles appear.It showthe Nash subconsciously want to have friends, to be recognized.
When Nash's schizophrenia another attack, his wife Alicia is also resolutely stand by his side, help him and give him time .He ask help to his friend Martin Hansen because of the love and trust come from his wife Alicia. In the case of his wife and friends Martin Hansen's encouragement, he relies on his will to go on.It could have been an unbelievable story that Nash succeed,but it is ture. Although fantasy Charles, and William Macy in Nash's life has always existed, they are no longer an idea to Nash. on their own willpower, the love of wife and friends to help and care, Nash cure his schizophrenia in a certain extent.
Nash, Alicia and Hansen have a beautiful mind .They set up a bridge leading to a beautiful soul.
美丽心灵观后感(The Impression Of A Beautiful Mind)
Earnest thriller-cum-weepie starring Russell Crowe as a maths genius whose life is wracked by schizophrenia. Stamped all over with 'Hollywood prestige project' and showered with awards
Russell Crowe gets the chance to act his heart out in Ron Howard's A Beautiful Mind. Not only does he portray a maths genius (based on real life Nobel Prize-winner John Forbes Nash Jr)， he portrays a maths genius crippled by schizophrenia. And he ages 47 years! He turns in a chunky, twitchy performance which, though not on a par with his more subtle turn in The Insider, is admirable. He is complemented by a less flashy, underwritten turn from Jennifer Connelly.
Princeton, 1947. Awkward but arrogant John Nash arrives on a maths scholarship, determined to come up with an original idea. Not bothering with classes, he obsessively writes theorem (plotting the movements of pigeons, for example)。 His only friend is raffish roommate Charles (Bettany)， a rich source of wisecracks - “Officer, I saw the driver who hit me - his name was Johnny Walker” - and moral support. Eventually Nash comes up with a revolutionary paper that wins him a position at MIT. It's here that his eccentricities give way to madness. Although he marries beautiful student Alicia (Connelly)， the top-secret code-breaking work he is apparently doing for the government - represented by Ed Harris' mysterious agent - pushes him to breaking point. Full-blown paranoid schizophrenia erupts and Nash is hospitalised, his reality a mess of mania and imagination. Three decades of struggle ensue. Although the film leaves out the seedier elements of the real Nash's life (divorce, cottaging)， it fashions a loose biopic that is by turns funny, exciting, sad and downright corny. The script, by Akiva Goldsman, (who also wrote the inexcusable Batman & Robin)， is riddled with pithy, but occasionally clichéd, utterances that capture these shifting tones: there's Nash's description of himself: “I'm quite well balanced - I have a chip on both shoulders” - or the description his doctor, Rosen (Plummer)， later uses to describes his disease to his wife: “The nightmare of schizophrenia is not knowing what's true.”
Although it dallies with Cold War thriller elements, A Beautiful Mind is ultimately a formulaic tale of human perseverance, and merits comparisons with other, similar award-showered tales: notably Shine. As such, it's an above-average weepie, a Hollywood prestige film that pre-packages the sufferings of one highly intelligent man and the woman who loves him to manipulate the emotions. Although the film itself is not as smart as it imagines itself to be, it's certainly artful, with fine camera work by Roger Deakins (who shot the Coens' stylish The Man Who Wasn't There)， and solid, thanks to Howard's even-tempered direction.
A typical Oscars movie. Solid, middle-brow and worthy.
